Saturday, February 17, 2007

Big Job

I have been working a very large job this past week. I have been creating a tuscany type of wall finish using a colored glaze technique over the existing textured wall. As you can see from the first picture this is a large space. The foyer I am working is app. 12 feet wide and 45 feet long with 25 foot ceilings. I have 3 levels of scaffoldling set up to do this job.



This next picture is a good one to let you see just how the finish is looking. The wall to the left is what I started with. Quite a dramatic difference after the glazing goes on. I use a two pass technique which I developed. This technique allows me to work on large areas without worrying about the dreaded "overlap" lines.





Perhaps the biggest challenge in creating a look like this is making sure you get that "consistently inconsistent look" over the entire wall. You want those darker areas and lighter areas but you want them to be fairly uniform without being a repeating pattern. Now, a large part of that challenge is to not get any of the "overlapping lines" on your wall.



An over lapping line occurs when the glaze has dried on the edge of the application area and then when you go back to that area again and overlap onto it. Look at the next picture. This is where I finished at the end of one days work. When I come back the next day and pick it up again I don't want to see a line down the wall where I had stopped and started. So what I do is create a stopping point like you see. On the leading edge of the glaze, after I apply it, I take a cotton rag and wipe it back taking off most (if not all at the start) of the glaze with it. I probably wipe off about 5-6 inches of glaze, feathering it back from the edge.

Then the next day I start by applying the glaze in the area which has no glaze and working back into the previous days work. I feather the glaze back into the previous days work so that when it does overlap only a very little amount of glaze is actually overlapping the previous day's work. But I overlap it by the 5-6 inches I had wiped off the previous day. Then I intergrate the pattern flow into the new application areas again using the two pass technique. In the picture below you can see where the wall is now done and there are no overlapping lines. There is a smooth flow across the entire surface of the wall.


Friday, February 16, 2007

cabinets



I recently worked on some built-in cabinets. Often times when I do this I bring the doors home to do at home. Typically I paint both sides of the doors so it goes faster if I can bring them home and work on them in the evenings to at least get the backs done.

These where white when I started out and so I primed them with a golden tinted primer first and then put on the first coat of a medium brown. Actually the color is a Sherwin-Williams color of Java.

There were four doors to do. The next step was to use another S-W color a dark brown called French Roast, then on top of that I used a light golden color. The end effect was to have them aged. After that I painted the center diamond and trim molding a distressed metallic.

Here you can see with and without the metallics painted in. The next is a close up.